(Trumpet, 1923–50) Theodore ‘Fats’ Navarro died prematurely and left a limited recorded legacy, most of it as a sideman. Nonetheless, he stood alongside Dizzy Gillespie and Miles Davis as one of the most significant trumpeters in bebop. He took over Gillespie’s chair in Billy Eckstine’s seminal big band in 1945, and enjoyed a brief but creative relationship ...
Alternative-rock guitarist Dave Navarro (b. 1967) was born in Santa Monica, California. After hearing Jimi Hendrix, Navarro began playing guitar at the age of seven and was in various bands in school. In 1986, he joined Jane’s Addiction on the recommendation of drummer Stephen Perkins, a childhood friend. Inspired by The Velvet Underground, Joy Division, ...
(Piano, vocals, composer, 1904–43) Thomas Wright ‘Fats’ Waller developed his playing style during the early 1920s under the tutelage of Harlem stride pianists James P. Johnson and Willie ‘The Lion’ Smith. The son of a Baptist preacher, he began playing in the church and by the age of 15 was the house organist at the Lincoln Theatre. He ...
Antoine Domino Jr. was born on 26 February 1928 in New Orleans, Louisiana, the youngest of eight children. His father played violin and worked at the Fair Grounds Race Track in New Orleans. Young Antoine studied piano and credits Harrison Varrett, a former member of Papa Celestin’s band, with giving him the advice and encouragement to keep ...
(Piano, singer-songwriter, b. 1928) Signed to Imperial Records, New Orleans-born Antoine Domino’s first million-seller, ‘The Fat Man’ (1949) began a run of over 60 US pop and R&B hits by 1964, many written by Domino with Dave Bartholomew. Other million-selling classics included ‘Ain’t That A Shame’ (1955), ‘Bo Weevil’, ‘I’m In Love Again’ and ‘Blueberry Hill ...
(Trumpet, 1930–56) The tragic death of Clifford Brown in a road accident robbed jazz of one of its brightest young stars, but even his truncated legacy has established his standing as a major figure and profound influence. He took up the trumpet at the age of 13, drawing on the influence of bebop stars Dizzy Gillespie and Fats ...
(Tenor and alto saxophone, flute, b. 1925) James Moody was one of the strongest performers to double on flute in jazz, and was a resourceful and inventive improviser on all his horns. He joined Dizzy Gillespie from the US Air Force in 1946. A recording of ‘I’m In The Mood For Love’ (1949), made while living in Europe ...
Though it was often referred to as a musical revolution, bebop was actually a natural evolution of jazz, involving innovative approaches to harmony and rhythm that advanced the music forward to a modern era. Traces of bebop began to emerge during the early 1940s, in orchestras led by Earl Hines and Billy Eckstine. Those adventurous impulses were further ...
Like a great river that runs endlessly, forming numerous tributary streams as it flows, jazz continues to evolve over time. And no matter how far the River Jazz may flow from its source – whether through stylistic evolution or technological innovation – the essential spirit of the music remains intact. Granted, the more academic and esoteric extrapolations of ...
Albert Clifton Ammons was born in Chicago, Illinois in March 1907. As a young man he learned from Jimmy Yancey, who cast a long shadow over Chicago blues pianists through his work at rent parties, social functions and after-hours jobs. Ammons came to know other pianists and the blues specialists gathered together in Chicago to create a coterie ...
(Piano, vocals, 1927–80) Milburn was a Houston pianist whose rollicking piano-playing and versatile singing was a major influence on Fats Domino and others. Milburn’s first hit was the 1948 party classic ‘Chicken Shack Boogie’. Milburn could croon a soulful ballad, but made a bigger impact with horn-driven material such as ‘Roomin’ House Boogie’ and ‘Sax Shack Boogie’, along ...
(Organ, piano, arranger, 1916–96) William Ballard Doggett was born in Philadelphia, Pennsylvania. The band he led was taken over by Lucky Millinder in 1940 and Doggett stayed on as pianist and arranger. After working with the Ink Spots, he played with Louis Jordan’s band from 1947–51. He was active as a studio pianist, organist and ...
(Vocals, 1908–67) A crooner and scat singer, Billy Banks was a protégé of agency impresario Irving Mills. He headlined a handful of legendary records in 1932 by the Rhythmakers – less interesting for his vocals than for the punchy, eccentric work of the all-star band, which included Henry ‘Red’ Allen, Pee Wee Russell, Fats Waller ...
Buddy Holly was born Charles Hardin Holley in Lubbock, Texas, on 7 September 1936. Buddy got a guitar in his mid-teens and started practising with friend, Bob Montgomery. They liked country and western but also had predilection for the blues. An Elvis gig in Lubbock in early 1955 alerted them to new possibilities. Buddy and Bob, as ...
Multitalented guitarist Carlos Santana was born the son of a mariachi musician in the Mexican town of Autlan de Navarro in 1947. The family moved to Tijuana when he was nine, and Carlos, who first played violin before changing to guitar, became interested in rock’n’roll and blues. At 13, he was earning money playing in cantinas and ...
AUTHORITATIVE
An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
CURATED
Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.
David Bowie
Fantastic new, unofficial biography covers
his life, music, art and movies, with a
sweep of incredible photographs.